“CHAMELEON” doesn’t arrive with a single statement – it unfolds. Structured as a cinematic dance EP accompanied by a short film, the project lives in fragments, reflections and repetition, mirroring the emotional terrain it explores.
This is music born in liminal space: between identities, between homes, between versions of the self that never quite settle. Continue reading
On new album Far Inside, Italian composer Marco Di Stefano turns orchestral music into a living, breathing world of its own.
It’s an album that resists easy classification. Part film score, part folk chronicle, part meditation on memory. Instead of writing a suite of disconnected pieces, Di Stefano shapes Far Inside as a continuous emotional arc, a journey inward that still manages to feel expansive and global. Continue reading
In “Morphic Resonance”, Ben Neill doesn’t just compose a track. He constructs an alternate physics for music itself. The piece, named after biologist Rupert Sheldrake’s controversial theory that memory exists in nature through morphic fields, unfolds like a living system.
It’s cyclical, reactive and quietly radical. It’s not a song you hear once and remember – it’s one that seems to remember you. Continue reading
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