Eric Selby’s new single “The Water” and its parent album Five., his fifth album release, reveal an artist fully present in his craft and deeply in tune with the emotional currents that shape his life and music.
Across these releases, Selby balances reflection with accessibility, offering listeners a collection that fis honest and rich in layers of sound. Continue reading
George Collins is back and he’s starting 2026 with a bold statement. His new single “What Living Is For” is a riff driven Americana rocker that perfectly captures the feeling of starting fresh – full of optimism, energy and forward momentum.
The Prague based singer songwriter, and is long admired for his melodic sensibility has created a track that balances heartland rock influence with a contemporary and very upbeat punch. Continue reading
“CHAMELEON” doesn’t arrive with a single statement – it unfolds. Structured as a cinematic dance EP accompanied by a short film, the project lives in fragments, reflections and repetition, mirroring the emotional terrain it explores.
This is music born in liminal space: between identities, between homes, between versions of the self that never quite settle. Continue reading
Dropping a love song on Christmas Day could easily tip into sentimentality, but Ian Ward’s “Spend All My Time” sidesteps that entirely.
Instead of chasing holiday warmth or grand romance, Ward’s latest song settles into something quieter and more real – the idea that time, not words or promises, is the most honest thing we give the people we love. Continue reading
There’s something quietly disarming about “Entropic Cycle.” It doesn’t rush to impress or overwhelm, but instead it slowly pulls you inward, like the moment when the world finally goes quiet and your thoughts start speaking louder.
For ИΞOlicious, this single isn’t just an introduction. It’s a state of mind. The track moves between light and shadow with a patience that feels rare in pop music, especially from an artist so early in their public journey. Continue reading
Saskatchewan-born singer-songwriter Jeffery Straker shares A Very Prairie Christmas, a 12-song recording shaped by nearly a decade of his beloved annual holiday shows. Blending nostalgic classics, intimate arrangements, and Straker’s signature piano-driven storytelling, the album captures the way Christmas memories evolve while still holding their magic. “When I was selecting these songs, I had the … Continue reading
Toronto rock band Dead Broke return with “Hypernormal,” a blistering, clear-eyed indictment of modern life where everything is reactive, monetized, and endlessly overwhelming. Anchored by jagged guitars, volatile dynamics, and a seething, desert-rock pulse, the track captures what it feels like to live in a world of nonstop disruption: doomscrolling through microdoses of trauma while … Continue reading
Arlie’s new album Someone You Can Believe In arrives at a moment when authenticity and creative self trust feel harder to claim than ever before. The record unfolds like a personal declaration that the internal compass matters as much as any external measure of success. For Nathaniel Banks, the writer, producer, and entire creative engine … Continue reading
Colombian-born DJ, producer, and electric violinist Esther Anaya continues to redefine the intersection of classical training and modern dance music. Following the release of her vibrant house single Push Play with Parker Matthews, Anaya has launched a new sample pack on Splice, giving producers an inside look at the sounds that make her sets and … Continue reading
indie pop/new wave duo The Dream Eaters return with their new album Year End Report. A collection of their singles from 2024 and 2025, framed as a tongue-in-cheek yearbook, the LP is a self-portrait of a band who thrives on bending reality, blending humour with tightly crafted indie pop, and turning the bizarre into something … Continue reading
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