Southern California’s Djentrified has released two new one-take vocal performance videos for “Welcome to the Abyss” and “THIS SONG SHOULDN’T EXIST,” designed for those who bear the burden of the world yet persist in facing it head-on. Filmed solo in a room with only a microphone, these videos distill everything down to the basics. What … Continue reading →

From the heart of Toronto’s indie-rock scene, Cut Flowers emerge with “Until It’s Time” – a rollicking and heartfelt meditation on impermanence, regret, and making amends. Rooted in pastoral harmonies and driven by vibrant, live-off-the-floor energy, the song blends the ache of folk storytelling with the grit of vintage rock and soul. “It’s a song … Continue reading →

Zoey Madison’s single “Move” exudes refined charm and showcases her emergence as a compelling new voice in pop and contemporary R&B. The track is breezy, warm, and inviting, distinguishing itself from typical pop hits by relying on subtlety and emotional depth rather than predictable hooks. “Move” glides and sways effortlessly with a confident sense of … Continue reading →

For composer and symphonic metal artist Kelsey Dower, music is not just performance—it’s reclamation. Her new single “Rage” channels the emotional pressure of moving through the world as an autistic woman of color and transforms it into something formidable, structured, and defiantly beautiful. “Rage” opens with thunderous choral voices and orchestral power, but beneath its … Continue reading →

In his latest chapbook, Blaze without Burning, poet William May delves into loss, love, and the delicate balance between intensity and preservation. The collection’s innovative “twin”-poem structure pairs poems with the same title but distinct perspectives, offering readers a layered exploration of memory, perception, and emotional endurance. Drawing from years of writing during a period … Continue reading →

Mifarma doesn’t arrive as a project so much as an atmosphere. Born from the intensely personal experiences of Danielle Ravitzki, the moniker became a vessel for songs that live in shadow and stillness, where vulnerability is delivered in near-whispers and emotional clarity feels devastatingly precise. Across this body of work, she embraces minimalism, space, and … Continue reading →

There is a quiet confidence running through There Is No Arrival Vol. 2 that separates it from the typical anniversary release. This five-song chapter from New Jersey’s Above the Moon feels less like a victory lap and more like a recalibration, as if the band has taken stock of ten years together and chosen to … Continue reading →

There is nothing soft or sentimental about Last Relapse’s return. Their self-titled EP does not arrive coated in nostalgia or polished for easy consumption. Instead, it moves like a slow exhale after years of pressure, uneasy but intentional, dramatic without posturing. This is not a band attempting to recreate a former version of itself. This … Continue reading →

Denise Marsa returns with a powerhouse new release as she continues her remarkable rise across the UK club landscape. Her latest track, “HOLE (Until Dawn Remix),” arrives as the second remix single from her forthcoming album RISK + HEAL and follows the success of her recent UK Music Week Commercial Pop Club Chart breakthrough, “Company … Continue reading →