Ger Carriere is stepping into a lighter, more expansive corner of her sound with her latest single, “Honeybees,” the first glimpse of her upcoming EP. Known for music that radiates intensity and attitude, this track feels looser, sunnier, and more reflective. It’s less about breaking from the past and more about stretching her signature style …
There’s a moment in “BEAUTY TEARS” where everything just seems to hover: the beat, the voice, the emotion. Like the song is deciding whether to break apart or lift off. Amidst this tension GAB SAFA finds her footing and builds a track that moves through feeling.
On paper, the elements are familiar: synth driven production, a steady electronic pulse and vocals that leans into intimacy. But what Safa does with those elements feels more considered than most. Working with producers Myya Lal and Keandra Lal, she creates a sound that’s as interested in space as it is in impact. The quieter moments are not filler. They are where the song breathes, where it gathers itself before pushing forwards once again.
Nova Scotia-raised, Ottawa-based singer-songwriter Malia Rogers returns with “Sunlight (A Good Death),” a healing, Celtic-influenced folk single that approaches loss through the lens of gratitude rather than despair. Rooted in the idea that grief is simply love with nowhere left to go, the song reflects on mourning not as an ending, but as evidence of …
Zoey Madison’s single “Move” exudes refined charm and showcases her emergence as a compelling new voice in pop and contemporary R&B. The track is breezy, warm, and inviting, distinguishing itself from typical pop hits by relying on subtlety and emotional depth rather than predictable hooks. “Move” glides and sways effortlessly with a confident sense of … Continue reading
Arlie’s new album Someone You Can Believe In arrives at a moment when authenticity and creative self trust feel harder to claim than ever before. The record unfolds like a personal declaration that the internal compass matters as much as any external measure of success. For Nathaniel Banks, the writer, producer, and entire creative engine … Continue reading
For composer and symphonic metal artist Kelsey Dower, music is not just performance—it’s reclamation. Her new single “Rage” channels the emotional pressure of moving through the world as an autistic woman of color and transforms it into something formidable, structured, and defiantly beautiful. “Rage” opens with thunderous choral voices and orchestral power, but beneath its … Continue reading
Colombian-born DJ, producer, and electric violinist Esther Anaya continues to redefine the intersection of classical training and modern dance music. Following the release of her vibrant house single Push Play with Parker Matthews, Anaya has launched a new sample pack on Splice, giving producers an inside look at the sounds that make her sets and … Continue reading
indie pop/new wave duo The Dream Eaters return with their new album Year End Report. A collection of their singles from 2024 and 2025, framed as a tongue-in-cheek yearbook, the LP is a self-portrait of a band who thrives on bending reality, blending humour with tightly crafted indie pop, and turning the bizarre into something … Continue reading
In his latest chapbook, Blaze without Burning, poet William May delves into loss, love, and the delicate balance between intensity and preservation. The collection’s innovative “twin”-poem structure pairs poems with the same title but distinct perspectives, offering readers a layered exploration of memory, perception, and emotional endurance. Drawing from years of writing during a period … Continue reading
Toronto songwriter and composer Neil Haverty (frontman of alt-folk ensemble Bruce Peninsula, and composer of the Wildhood soundtrack) returns with “What I Don’t Need,” a contemplative indie single that grapples with the tension between personal autonomy and the responsibilities we carry toward others. Written and performed by Haverty and produced by long-time collaborator Leon Taheny … Continue reading
There’s a kind of heartbreak that creeps in quietly, rewiring the way you hear your own voice. On her brand new single “What Fun,” ellakate captures that slow unraveling with a level of emotional accuracy that is a little disarming. Continue reading
Mifarma doesn’t arrive as a project so much as an atmosphere. Born from the intensely personal experiences of Danielle Ravitzki, the moniker became a vessel for songs that live in shadow and stillness, where vulnerability is delivered in near-whispers and emotional clarity feels devastatingly precise. Across this body of work, she embraces minimalism, space, and … Continue reading
There is a quiet confidence running through There Is No Arrival Vol. 2 that separates it from the typical anniversary release. This five-song chapter from New Jersey’s Above the Moon feels less like a victory lap and more like a recalibration, as if the band has taken stock of ten years together and chosen to … Continue reading
