Ger Carriere is stepping into a lighter, more expansive corner of her sound with her latest single, “Honeybees,” the first glimpse of her upcoming EP. Known for music that radiates intensity and attitude, this track feels looser, sunnier, and more reflective. It’s less about breaking from the past and more about stretching her signature style …
There’s a moment in “BEAUTY TEARS” where everything just seems to hover: the beat, the voice, the emotion. Like the song is deciding whether to break apart or lift off. Amidst this tension GAB SAFA finds her footing and builds a track that moves through feeling.
On paper, the elements are familiar: synth driven production, a steady electronic pulse and vocals that leans into intimacy. But what Safa does with those elements feels more considered than most. Working with producers Myya Lal and Keandra Lal, she creates a sound that’s as interested in space as it is in impact. The quieter moments are not filler. They are where the song breathes, where it gathers itself before pushing forwards once again.
Nova Scotia-raised, Ottawa-based singer-songwriter Malia Rogers returns with “Sunlight (A Good Death),” a healing, Celtic-influenced folk single that approaches loss through the lens of gratitude rather than despair. Rooted in the idea that grief is simply love with nowhere left to go, the song reflects on mourning not as an ending, but as evidence of …
Following on the releases of acclaimed singles “Let Me Go” and “News at the Party” earlier this year, both of which garnered Spotify Editorial support, Montreal singer-songwriter Libby Ember returns with “I’ll Stand in the Doorway.” Amidst heart-sinking melancholy, it captures the emotional limbo of moving through a breakup while remaining tethered to someone’s world. … Continue reading
Jessica Pearson and the East Wind unveil Wilding Part One, a bold and unflinching EP that channels the power, resilience, and collective strength of women into a deeply intentional body of work. Rooted in folk and Americana traditions while shaped by rich harmonies and emotive storytelling, the record stands as both a celebration of sisterhood … Continue reading
Toronto trio Faiyaz and the Wasted Chances drop “Bleeding Out,” a bouncy and unrelenting garage punk single that fuses high-voltage energy with a darker emotional undercurrent. Driven by punchy riffs, stripped-back production, and a restless, kinetic feel, the track captures the disorienting experience of pushing through pain while refusing to slow down. It’s a sharp … Continue reading
Building on the momentum of recent releases, “Too Old (For This Shit)” and “Pushing Forty,” Canadian singer-songwriter Ellie Heath shares “Sick of Myself,” a bold and emotionally charged new single from her upcoming album Pushing Forty, set for release on May 29th, 2026. Blending introspective songwriting with an explosive, danceable chorus, “Sick of Myself” captures … Continue reading
Canadian singer-songwriter Allen Dobb’s new album, The Afterlife Sessions, is a return to something foundational. Built entirely around acoustic instrumentation, the 11 tracks draw from a lifetime of listening, playing, and refining a songwriting voice rooted in folk, Americana, and lived experience. The result is a collection that feels both grounded and expansive, shaped by … Continue reading
Hamilton, Ontario folk duo Michael Antelope (singers/guitarists Doug McBrien and Lenny McGowan) share their debut single, “Cat Crow,” a mysterious and quietly disarming single that explores curiosity, fear, and the strange comfort found in not fully understanding the world around you. Rooted in traditional folk sensibilities and rich storytelling, the track weaves together memories of … Continue reading
Scarlett Macfarlane shares her latest single, “Sorry,” a deeply personal and emotionally charged pop-rock single that leans into themes of regret, self-reflection, and the complicated path toward forgiveness. Balancing pensive introspection with soaring, cathartic release, “Sorry” captures the weight of late-night thoughts and the quiet courage it takes to face them head-on. “I wrote the … Continue reading
There’s often an assumption that albums born later in an artist’s life are reflective by default – gentler, perhaps, more reserved and content to look backward rather than push forwards. But Never Too Late, the latest release from Bruce Rosenblum, doesn’t quite follow that script. While it certainly carries the breadth of life experience, it also feels quietly exploratory, as though the act of returning to songwriting has opened as many doors as it has revisited.
This is definitely a songwriter’s record: guitar, voice and story are leading the way, but it doesn’t take long to realize that Rosenblum is less interested in staying within the traditional boundaries of the form than in stretching them. Folk and folk-rock may provide the foundation here, but the album moves easily through jazz inflected passages, country leaning textures and moments shaped by a classical sensibility. It’s not genre hopping for its own sake; rather, it feels like a natural extension of a musical language built over time. Continue reading
Some releases drift by unnoticed, dissolving the moment they end. Others feel like they arrive already carrying a weight. Bang Bang Jet Away’s new single, “Mishima,” belongs firmly in the second category. This is not a casual reference or a stylistic nod. The title itself signals intent. Yukio Mishima isn’t being borrowed as aesthetic decoration … Continue reading
The Mosfets return with “Radio, Turn Me On,” an electric and frenetic garage rock track and the second single to be shared from the band’s upcoming self-titled EP (out May 29th, 2026), following the release of “Take A Chance” on March 6th. Driven by pounding drums, fuzz-drenched guitars, and a euphoric sense of chaos, the … Continue reading
